Why Zimbabwean musicians need to understand child protection policies

Children, who are among the most impressionable members of the public, look to these public figures as role models.

As music continues to influence social change, Zimbabwean musicians are in a unique position to influence society beyond the art they produce.

With the increasing recognition of their influence on young audiences, musicians must not only inspire, but also protect the well-being of children.

One of the critical areas in which this responsibility manifests itself is in understanding Zimbabwe’s child protection policy and its significance.

Musicians in Zimbabwe, as in many parts of the world, hold a significant position in society.

Through their lyrics, performances, and public appearances, they shape cultural norms and values.

Children, who are among the most impressionable members of the public, look to these public figures as role models.

Therefore, it is essential that musicians are aware of the child protection framework that governs the welfare of minors, ensuring that they engage in responsible behavior that aligns with the law.

Zimbabwe’s National Action Plan for Orphans and Vulnerable Children and the Children Act are the central pillars of the country’s child protection framework.

These laws aim to protect children from abuse, exploitation, neglect and harmful cultural practices. It also ensures that children are raised in safe and nurturing environments.

Musicians, especially those who engage with young people, need to be familiar with the provisions of the policy.

From performances to events where children are present to the production of music videos with young participants, the law places the responsibility on any adult who interacts with minors to maintain a safe environment free of exploitation or harm.

Musicians have a huge cultural influence.

Their music often reflects societal issues and reaches audiences of all ages.

Lyrics and shows that deal with sensitive issues such as drug use, relationships or violence can affect how children perceive the world.

Understanding the child protection policy helps musicians ensure that their content does not inadvertently expose children to inappropriate material or harmful behavior.

In Zimbabwe, breaches of child protection laws can have serious consequences, including prosecution and reputational damage.

Musicians who engage with children in performances, music videos or collaborations must ensure that children are protected by law.

This means obtaining appropriate consent, protecting their physical and emotional well-being and avoiding exploitative practices.

Live performances, especially festivals or concerts, often attract young audiences.

Musicians should advocate for adequate safeguards at events, including safe environments, adult supervision and mechanisms to protect children from harm.

Understanding the child protection framework ensures that musicians can play an active role in creating safer spaces for their young fans.

Many Zimbabwean musicians collaborate with schools and non-governmental organizations in youth empowerment, mentoring and community outreach programs.

These initiatives often target children and vulnerable populations.

Musicians involved in such projects must be fully aware of child protection policy, ensuring that their involvement does not expose children to harm or exploitation, even inadvertently.

Beyond avoiding harm, musicians have the potential to promote positive messages that contribute to the upbringing of children.

Songs about education, mental health or social responsibility can inspire young people to make informed choices.

Musicians who understand child protection laws can better align their artistic endeavors with initiatives that support children’s rights and development.

There are several examples of Zimbabwean musicians working to support and protect children.

Musicians like Albert Nyathi, who often get involved in schools and children’s initiatives, exemplify how artists can use their platforms for positive youth engagement.

Understanding child protection policy has allowed these artists to ensure their work is aligned with the legal framework, protecting minors from harm while uplifting them through music.

Similarly, the growth of music mentorship programs targeting youth, such as the Pakare Paye Arts Center founded by the late Oliver Mtukudzi, provides opportunities for musicians to mentor children while remaining accountable to child protection policies.

These programs emphasize both artistic development and the protection of vulnerable children in the arts sector.

Musicians who do not understand or comply with child protection policies face several risks, such as legal repercussions, as violating child protection laws can lead to lawsuits, fines and imprisonment.

Allegations of child exploitation or abuse can permanently damage a musician’s public image, resulting in the loss of fans, endorsements and collaborations.

As public figures, musicians have a moral obligation to protect their young audiences. Ignorance of child protection laws is no defense when the welfare of children is at stake.

Zimbabwean musicians play a crucial role in society, influencing young minds and shaping cultural trends. With this influence comes the responsibility to understand and adhere to child protection policies.

By doing so, musicians not only protect children, but also that their work contributes positively to the growth and well-being of the next generation.

Understanding and applying Zimbabwe’s child protection framework is not only a legal necessity; it is a moral duty for any artist who engages with children in any capacity.

By educating themselves about these policies and advocating for the safety of children in the music industry, Zimbabwean musicians can become not only entertainers but protectors of the nation’s future.

nRaymond Millagre Langa is a musician, poet, orator, independent researcher and founder of the Indebo edutainment Trust. You can follow @Millagre Ray Langa on Facebook, on X you can follow #Millagre Langa, email — (email protected) or (email protected).

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